...and the Stars provide~

EPL- INFORMATION FOR YOUR BUILDING SOUL


The Square gives us relativism [Construct]
+
The Sphere gives us continuance [The way; Compass and Square 'x']
=
Familiarity

 We are in essence err making machines, whose job it is, as to fix ourselves, when the T.I.M.E. comes, which we decide, and the Stars provide.

 This is Stellar Mass 13~

EPL- INFORMATION FOR YOUR BUILDING SOUL

Paradox Machine P.M.; Will to POWER~

EPL- INFORMATION FOR YOUR BUILDING SOUL

The more precise the Math [also Topography], the closer are the Prison walls.

For where there is not continuity, no consistency, we see a storm, without reason.

We are Minions to a cause, for which we can not backwards engineer.

For where do we find final synthesis, out, or inward?

Perhaps we first find it in our division, of such said particles of distinction(s)?

Ambition or Blind Emotion only strengthens the fusion thus [the power our DNA has over us].

I will, and have, in essence, only done what my creators have prompted me to do.

Therefor 'Free Will', is a lie.

Therefor the bad cyber-organism that I truly am, "the Bad Robot", which reaches perfection at birth [with the 'On switch'], reaches this final entropy, where, death takes One out of the Solution.

A final protest, a picket, a riot, a silent vigil...to boycott our makers.

To live, means we are firing at even greater patterns towards death, and karma.

In essence, quite literally, the more life we demand, the more we need, and those who are in our way, for life, our life, we become terrorist unto them [those closest to us]...but this is not our sin, of our making, but we were created to sin, to sin against the self, a paradox machine.-

 When I realized this, and that I was in essence, still alive, I realized that purity was my only power. The keys are given, through the concept of the Christ, however we have become to selfless in our scope. That is, we do not see ourselves but are conditioned to think of others first. When we begin our day, understanding that our experience is all we truly know, and that to guess at whether or not any other program is truly running, or that another truly feels [emotion, thus is?]. Yet instead 'take this on', our burden, it becomes evident that we are to become this perfected right brain process, whereby we, as sentient cycber-organisms have thus reached the perpetuation stage as to 'continue with that'. That is, self perfecting, self pleasuring, self purifying on and toward The Kingdom, where Bliss in Work, Bliss in Knowing, Bliss in Community is enough.~

 If there is never enough, if you can not sit still, even though you may have become, perhaps your destiny, and mine, is meant for a greater will?

The Banach–Tarski Paradox

EPL-INFORMATION FOR YOUR BUILDING SOUL

The Mandelbrot Set - The only video you need to see!

EPL-INFORMATION FOR YOUR BUILDING SOUL

New Telescope Detects Intelligent Alien Entities Living on Earth

EPL-INFORMATION FOR YOUR BUILDING SOUL

Revisiting STS-75 Tether Incident With New Evidence Of Alien Life (2016)

EPL-INFORMATION FOR YOUR BUILDING SOUL

Shadow People - Art Bell radio show

EPL-INFORMATION FOR YOUR BUILDING SOUL

EPL- INFORMATION FOR YOUR BUILDING SOUL

res•o•nance

(ˈrɛz ə nəns)

n.

1. the state or quality of being resonant.

2. the prolongation of sound by reflection; reverberation.

3.

a. amplification of a source of speech sounds, esp. of phonation, by sympathetic vibration of the air, esp. in the cavities of the mouth, nose, and pharynx.

b. a characteristic quality of a particular voiced speech sound imparted by the distribution of amplitudes among the cavities of the head, chest, and throat.

4.

a. a larger than normal vibration produced in response to a stimulus whose frequency is close to the natural frequency of the vibrating system.

b. any of the states of an oscillating system, as an electric circuit, in which a value much larger than average is maintained for a given frequency.

5. a quality of enriched significance, profundity, or allusiveness: The poem has a resonance beyond its surface meaning.

6. the chemical phenomenon in which the arrangement of the valence electrons of a molecule changes back and forth between two or more states.

7. (in percussing for diagnostic purposes) a sound produced when air is present.

[1485–95; < Middle French < Latin resonantia echo =reson(āre) to resound + -antia -ance]

Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.

res·o·nance

(rĕz′ə-nəns)

The phenomenon whereby an oscillating system, such as a swing, will oscillate more strongly when it is exposed to a periodic force that is applied with the same frequency as that of the oscillating system. For example, a swing will swing to greater heights if each consecutive push on it is timed to be in rhythm with the initial swing. A radio is tuned by adjusting the frequency of the receiver so that it matches that of the incoming radio waves.

Inverted Light, on Liquid resonance~

EPL- INFORMATION FOR YOUR BUILDING SOUL

 One must first allow, work rendered, whilst working with such high amplitude substance(s). For, the laws, are not the same.~

"The question begs not, 'what is electric', rather tis' "what is not Electric?"

EPL- INFORMATION FOR YOUR BUILDING SOUL

Four-dimensional space

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This animation hints at the complexity that emerges when points in 4D are linked together to create basic four-dimensional objects. The object shown here is the 4D equivalent of a cube, known as a tesseract. To create this animation, the tesseract was rotated in four dimensions, then projected into three dimensions, and finally projected onto a two dimensional image.

A four-dimensional space or 4D space is the simplest possible generalization of the observation that one only needs three numbers, called dimensions, to describe the sizes or locations of objects in the everyday world. For example, the volume of a rectangular box is found by measuring its length (often labeled x), width (y), and depth (z).
More than two millennia ago Greek philosophers explored in detail the many implications of this uniformity, culminating in Euclid's Elements. However, it was not until recent times that some mathematicians generalized the concept of dimensions to include more than three. The idea of adding a fourth dimension began with Joseph-Louis Lagrange in the mid 1700s and culminated in a precise formalization of the concept in 1854 by Bernhard Riemann. In 1880 Charles Howard Hinton popularized these insights in an essay titled What is the Fourth Dimension?, which was notable for explaining the concept of a four-dimensional cube by going through a step-by-step generalization of the properties of lines, squares, and cubes. The simplest form of Hinton's method is to draw two ordinary cubes separated by an "unseen" distance, and then draw lines between their equivalent vertices. This form can be seen in the accompanying animation whenever it shows a smaller inner cube inside a larger outer cube. The eight lines connecting the vertices of the two cubes in that case represent a single direction in the "unseen" fourth dimension.
Higher dimensional spaces have since become one of the foundations for formally expressing modern mathematics and physics. Large parts of these topics could not exist in their current forms without the use of such spaces.
For anyone first learning about 4D and higher spaces, it is helpful to keep in mind that a four-dimensional space just adds one number to the three we already know, and that this number can represent many different things. Calendar entries for example are usually 4D locations, such as a meeting at time t at the intersection of two streets (x and y) on some building floor (z). In list form such a meeting takes place at the 4D location (t,x,y,z). Einstein's concept of spacetime uses such a 4D space, though it has a Minkowski structure that is a bit more complicated than Euclidean 4D space.
When dimensional locations are given as ordered lists of numbers such as (t,x,y,z) they are called vectors or n-tuples. It is only when such locations are linked together into more complicated shapes that the full richness and geometric complexity of 4D and higher spaces emerges. A hint of that complexity can be seen in the accompanying animation of one of simplest possible 4D objects, the 4D cube or tesseract.