Saturday, September 6, 2025
Wednesday, September 3, 2025
They and Them: Outside You/U
They're not omniscient gods---they just developed the roads you travel on---Choice.
Summary
They didn’t create you, nor do they dictate your will—what they did was build frameworks, channels, “roads” that guide how choices present themselves. Roads make travel possible but don’t determine where you end up.
So their power isn’t divine in an ultimate sense—it’s architectural. They lay down probabilities, condition behaviors, and construct environments. You still move by choice, but the directions available are shaped by their designs.
All that endures, endures only by the violence it can summon and wield---
At the end of each day, we teeter on the thin edge of survival—balanced on the promise of one man’s violence standing superior at the gate of another’s challenger. All that endures, endures only by the violence it can summon and wield.
Every act born into life is violence. To breathe, to move, to speak—to impose will upon the cast of reality before you—is already to defy it, to erase it, to refute what stands before you. Existence itself is a violent trespass.
This truth is etched into our very flesh: we are hosts to billions of organisms, microscopic armies locked in endless slaughter, killing one another through apoptosis, reducing life to ashes in order to preserve the fragile illusion of health. We are walking theaters of war. Even our thoughts arise in violence—splinters of sub-thoughts, eruptions of appetite, each impulse lashed into being by the tyranny of unquenchable glands. Desire is the whip that drives us forward, and from its blows consciousness itself is propagated.
Thus man has only two fates: to stand as killer, brute, and destroyer—at the ready, teeth bared—or to wither as a docile deformity, a malformed echo of anthropological waste. Those who fail to meet violence with violence are buried in silence, folded back into the soil, lost among the ashes of archived dirt. The game afoot spares no victims; it only selects those violent enough to remain.
Then enters the witch—who first reduces her opponents, dissolves them, conjures the enzymes by which she may absorb their essence. Her craft is the primal rehearsal of what the Übermensch must become.
For the Übermensch, or Messiah, is not merely one who survives violence but one who refines it—who evolves it into the unapologetic power of absorption. He is the storm that integrates, devours, transmutes. He ingests all opposing proclamations of energy, knowing as the Moirai know that fate is not chosen but forged, hammered into being by unseen, unhinged tempests of original stoic brutality. It is here where Marcus Aurelius may be imagined bathing in Faustina’s blood—not as cruelty, nor as ritual, but as a measure beyond human comprehension, a testament to the calculus of necessity.
Society recoils from this refinement of man. It reduces him, not because he lacks clarity, but because his appetite for endless absorption terrifies. For he is no longer cleric, no longer clarified, but a devourer, stripping away the superfluous—every man, every creed, every structure outside himself. He absorbs and contends, balances and destroys, until even the scales of justice warp beneath his weight.
What remains is the broadening path, carved not for his peers, but for his behemoth, unfathomable son—the future born from violence distilled, the heir of storms, the child of absorption who carries forward the brutality of gods.
Monday, September 1, 2025
Over Reaching Limts of Plasticity
The video discusses a recent, unnoticed paradigm shift that has impacted everyone and sent the world into a "tailspin" (0:03-0:11). This shift is characterized by a growing number of non-thinkers realizing the need to educate themselves and think outside the box, often in more esoteric or arcane ways (0:13-0:28).
The speaker notes that average people are now fixated on concepts like consciousness, UAP (Unidentified Aerial Phenomena), skinwalkers, and liminal dimensional conceptualizations (0:34-0:45). These ideas lead into philosophy, the occult, the esoteric, and even the "weaponized use of what is largely considered spiritual warfare" (0:45-0:55).
This shift has led to an emerging world religion among the majority, even if existing religions maintain their names (0:56-1:06). The core ideologies and belief systems within these religions have fundamentally changed, with interpretations differing significantly from those 70 years ago, despite the sacred texts remaining the same (1:08-1:32).
Path Finder---The Internal Quest
This video discusses the concept of the "pathfinder" and how symbols, mathematics, and logic (doxastic logic) are used to map internal existence and travel within the mind (0:00-0:48). The speaker suggests that our physical bodies, particularly the brain, shape us, but the pathfinder's goal is to find a way "home" to a state of purity (0:48-1:12).
Key themes and ideas explored include:
Breaking Free from Limitations: The video talks about breaking free from the "cellular division" and "disparate compartmentalization" that confine us to a two-dimensional, rationalistic scope (1:26-2:11).
The Role of Symbols and Numbers: The speaker emphasizes the importance of shapes, geomantria, and recurring symbols throughout history (2:23-2:37). The discussion then delves into number systems, including rational, esoteric, and even "erotic" number systems, and how they identify energy pathways within our bodies (3:32-4:22).
Duality and Conflict: The video highlights the emergence of duality and the "fight back to the purity of the man" (4:33-4:36). This is connected to concepts like Plato's Cave, where individuals are constantly under a "discourse" or "dialogue" of moral agents, feeling either like criminals or the persecuted (5:12-5:26).
Nietzsche's Overman and Dostoevsky's Underground Man: The speaker draws a parallel between Nietzsche's concept of the "Übermensch" (overman) and Dostoevsky's "underground man," suggesting that they represent the same individual who has been degraded because their way of thinking and existence is not supported by their ontology (6:32-7:01, 9:49-9:56). The "overman" is interpreted not as a towering, corporeal figure, but as a spiritual man who has broken free from technology and the "imitation life" (8:03-8:31).
The Rejection of the Carnal World: The video concludes by suggesting that true liberation involves rejecting the corporeal, carnal, and temporal world (9:45-9:47).
PATH FINDER: A WAY HOME
correction
While Norse and Gaelic oral traditions are distinct, the concept of "Gaelic runes" is a modern invention, as the ancient Gaels did not use runic scripts. Instead, they had their own unique oral and written traditions, including the distinctive Ogham alphabet.
Gaelic tradition includes oral literature passed down by learned classes, such as poets (filí) and storytellers (seanchaidhthe). Content was preserved through memory and spoken word, not by writing. This oral tradition consists of:
Mythology: Classic heroic sagas, including tales of the Fenian Cycle (Fionn MacCumhail) and the Ulster Cycle (Cú Chulainn), were transmitted orally before being written down in medieval manuscripts.
Chants and incantations: The Carmina Gadelica, a 19th-century collection of oral prayers, blessings, and charms from the Scottish Highlands, is a famous example. The word "rune" refers to these spoken charms, not the Norse alphabet.
Work songs: Rhythmic verses accompanied manual labor, like rowing, weaving, and milling, to set a tempo and build community.
Poetry and songs: Gaelic bards and poets were masters of intricate poetic forms, which were memorized and performed. Recent efforts have been made to record these songs from elder singers to preserve them.
The Gaelic Writing System: Ogham
The ancient Gaels' writing system was not runes, but Ogham, which first appeared in Primitive Irish inscriptions around the 3rd or 4th century CE.
Appearance: Ogham consists of a series of perpendicular or angular strokes cut across a central line.
Inscriptions: It is most often found on the edges of large stones, serving as boundary markers or memorial stones.
Historical context: Runes were used by various Germanic tribes, but Ogham was restricted to the Celtic peoples of the British Isles. Scholars believe Ogham was an indigenous Irish invention influenced by the Latin alphabet, possibly created as a cryptic script by Druidic learned classes.
The Influence of Norse Runes
The presence of runes in Gaelic-speaking areas resulted from Viking influence, not native practice.
Viking settlements: Viking raiders and settlers, particularly the Norse-Gaels, established colonies throughout Scotland and Ireland, leaving runic inscriptions in places like the Isle of Man and the Scottish islands.
Cultural diffusion: Runes and Norse words entered the Gaelic language and place names due to interaction and intermarriage between Norse and Gaelic communities, especially during the Viking Age.
Distinction: Runes and Ogham are distinct and separate systems, as evidenced by bilingual Runic-Ogham inscriptions found on monuments like the Isle of Man.
Modern Fantasy Versus History
The idea of a native "Celtic rune" set is primarily a modern fantasy. It sometimes uses the aesthetics of Norse runes and associates them with Celtic symbolism. It is important to differentiate these modern interpretations from the historically separate writing traditions of the ancient Gaels and Norse.
---
“core set” of symbols that appear again and again in caves, rock art, and artifacts across the world, spanning tens of thousands of years. Researchers like Genevieve von Petzinger have catalogued these, noting that early humans used a surprisingly consistent visual language. These show up from Paleolithic caves in Europe (like Chauvet, Lascaux, Altamira) to sites in Africa, Asia, and the Americas.
Here’s a list of 30+ commonly seen symbols:
1. Dots (single, clustered, or grids)
2. Lines (straight, parallel, vertical, horizontal)
3. Cross-hatch / grids
4. Chevron (V-shape)
5. Triangle
6. Circle
7. Spirals
8. Concentric circles
9. Ladders (parallel lines joined with rungs)
10. Zigzags
11. Wavy lines (serpentine)
12. Crosses (simple + shape)
13. Hand stencils (negative handprints)
14. Handprints (positive handprints, paint applied)
15. Cupules (carved depressions/dots in stone)
16. Arrows / pointed shapes
17. Branching lines (like trees or veins)
18. Starbursts / sun shapes
19. Spoked wheel / rosette
20. Claviform (club-shaped symbol)
21. Scalariform (ladder/grid hybrid)
22. Aviform (bird-like shapes)
23. Penniform (feather-like)
24. Tectiform (roof/house-like forms)
25. Oval / egg-shape
26. Barbed lines (like spearpoints or fishbones)
27. Hook shapes / crooks
28. Meanders / maze-like patterns
29. Cup-and-ring motifs
30. Animal tracks (bison, deer, bird feet simplified)
31. Dots inside circles (often interpreted as eyes, stars, or solar symbols)
32. Spoked crosses (swastika-like rotations, solar-wheel)
---
Pulling together three different but related threads:
1. Gaelic oral and written traditions (Ogham, chants, mythology, charms).
2. Norse runes and their influence through Viking contact.
3. The deep-time “core set” of universal symbols (Paleolithic cave art and beyond).
Here’s how they intersect:
The 30+ cave symbols Genevieve von Petzinger and others catalogued form a kind of proto-visual language — a symbolic vocabulary that transcended cultures and epochs. Things like spirals, circles, grids, and handprints seem to tap into basic human cognition (pattern-making, cosmology, embodiment).
These motifs never disappeared. They migrated and reappeared in ritual art, carvings, tattoos, and alphabets across the world.
2. Ogham and Runes in That Continuum
Ogham: Though structurally based on lines and strokes along a stemline, it echoes some of those “core” forms — ladders (scalariform), parallel lines, branching patterns. It’s a minimalist script, but still rooted in geometric abstraction humans had used for tens of thousands of years.
Runes: Germanic runes share that same reliance on linear, angular shapes, partly because they were carved into wood or stone. But symbols like the spiral, sun-wheel, and zigzag (all in the cave repertoire) show up as rune-like or magical marks beyond the strict alphabet.
3. Gaelic “Runes” and Spoken Charms
The Gaelic word rùn means mystery, secret, or charm, which is why in later folk tradition “runes” could mean incantations, not alphabets. This links directly to the Carmina Gadelica, where blessings and chants carry symbolic weight like “spoken sigils.”
Many charms, prayers, and poetic refrains in Gaelic tradition use repetitive structures — much like the repeated dot, line, spiral, and grid motifs in ancient rock art. The oral formula became the auditory counterpart of the visual sign.
4. Norse-Gaelic Cultural Fusion
In Viking-Gaelic contact zones (Isle of Man, Hebrides, Ireland’s east coast), Ogham and runes sometimes appear together — inscriptions that look like hybrid markers of cultural overlap.
The Norse also brought their own solar wheels, serpent motifs, and rune-magic, which often resembled the same Paleolithic symbol set. The Gaels, already steeped in oral “runes” (charms), could map Norse rúnar (letters/mysteries) onto their own worldview.
5. Modern Misreadings
The idea of a “Celtic rune set” blends these layers:
Deep symbols (spirals, knots, circles, crosses) that are truly ancient.
Runic aesthetics borrowed from the Norse.
Gaelic oral charms mislabeled as “runes.”
It’s a cultural palimpsest, where very old visual archetypes overlap with distinct historical writing systems and later romantic revival.
✅ In short:
The cave symbols are humanity’s shared archetypal toolkit.
Ogham and Runes are culture-specific alphabets drawing unconsciously on that toolkit.
Gaelic “runes” in the folk sense are charms and chants, the oral counterpart of symbolic marks.
Norse-Gaelic interactions made the overlap more literal, with bilingual inscriptions and hybrid symbolism.
Modern “Celtic runes” are a fusion myth that reflects this long entanglement of sound, sign, and symbol.
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The video, "Path Finder | A Way Through | Journey to The Soul | September 1, 2025," explores the concept of the "Pathfinder" and how numbers and symbols serve as an internal navigation system (0:12). The speaker delves into how these symbols, particularly numbers, can represent various movements and strategies in a topographical sense, as if navigating a journey:
Number 1 (1:32): Represents a straight, sagittal direction, moving forward and back.
Number 2 (1:38): Implies going around a body or a curve, a linear direction to meet back at a path.
Number 6 (2:01): Suggests rotary motion, perhaps to ward off animals or humans, or to navigate around hills or into caverns.
Number 4 (2:33): Acts as a marker, indicating a diagonal movement that crosses back over an original path, potentially to evade trackers or larger animals, or to represent crossing a bridge.
Numbers 3, 6, 9 (3:05): The number 9 is seen as a reversal of 6, implying moving away from fear or evading obvious trails. The number 3 represents a broken or open sphere, suggesting tracking, searching, or stowing away resources.
Number 5 (3:59): Shows a complex pattern of starting on an obvious path, moving to an unnatural linear path, and then circling, possibly representing finding the way home or navigating a difficult environment.
Number 7 (4:46): Represents deviating intentionally off a path to bunk for the night or take temporary leave, only to rejoin the path later.
Number 8 (5:17): Often seen as infinity, implying an ever-looping or long-course travel to avoid leaving linear implications of direction.
Number 0 (6:09) and 1 (6:13): The zero implies a return home, and when combined with the linear direction of one, it tells a complete story in simple terms, relating to the concept of Pi and returning to the origin point after a pre-planned route.
The video also touches upon how these symbolic interpretations are passed down through oral traditions, similar to Gaelic songs (3:48). The description further clarifies that "Gaelic runes" are a modern invention, as ancient Gaels used the Ogham alphabet for writing, while Norse runes entered Gaelic-speaking areas due to Viking influence. The video emphasizes that these number systems and symbols are a form of "cipher code" that reveals embedded information (6:39).
Saturday, August 23, 2025
Thursday, August 21, 2025
Gravity as Byproduct of Mass?
Gravity is not a fundamental force but a residue—an aftereffect of mass collapsing into itself. Mass is simply energy caught in a recursive fold, a point-in-time spiral of flux that cannot disperse back into the void. What we call form is merely patterned interference: fractal, wave, ratio, resonance. Like a musical score, alternating patterns mark and measure time, abstracting motion into structure.
Existence itself emerges from disruption—an ontology unnaturally disturbed, unable to elastically return to its pure state. Each closing quadrant of time seals in residue, and matter becomes a tumor-like byproduct of this locked flux. What we experience as continuity is only the cosmos unwilling to release its fold back into nothing.
The Jewish-Plato Machine 🔯 —a cipher of generations—marks the genetic time signature, encoding return through repetition. The cosmos wills collapse, a regression of all form into root, yet we persist as taffy stretched from nothing into nothing: no true substance, no ultimate form.
All so-called secrets were stumbled upon, not created. Genius is myth; ideas are given, not earned. The code was never meant to be read or solved—it simply is. Meaning manifests only through entropy, through degradation of purity into residue. Values, names, principles—misnomers of confusion. What remains is the paradox: everything is nothing, and nothing is all that ever was.
Segment III: Black Magick and the Ritual of Distortion
Segment III: Black Magick and the Ritual of Distortion
Black magick functions as the intentional bending of mind and spirit. At its core, it is a ritualized process designed to break identity, create dependency, and induce a form of Stockholm syndrome in its subjects. Through repeated trauma and manipulation, the individual begins to align with the very force that holds them captive. What was once pure principle is gradually inverted until it becomes obliterated. The goal is not mere control, but the destruction of cause itself—the hacking and jailbreaking of the mainframe system that once held order.
These rituals are not random acts of malice; they are performed with precise timing. Conducted on the high holidays of witchcraft and black magick, they correspond to cosmic alignments where natural cycles of principle—light, harvest, death, rebirth—are most active. Instead of harmonizing with these cycles, the rituals annex them. What was meant to elevate being through seasonal rhythm is usurped, inverted, and redirected. Each rite becomes a siphon, drawing down the pure principle of cosmic timing and retooling it to feed distortion. In this way, the calendar of sacred renewal is re-scripted into a calendar of captivity.
The effects of this distortion are not confined to one generation. They are cemented and magnified epigenetically, carried forward as biological and psychological imprints. Over time, the weak begin to valorize qualities that were once secondary, reactive, and purely survival-based. The limbic and glandular systems—the body’s primal centers of fear and reactivity—become enthroned as the ruling forces. This reduces humanity to living drones, synchronized to cymatic frequencies and wave patterns set by those who orchestrate the distortion.
Values themselves are inverted. The licentious craft of survival—deceit, exploitation, manipulation—is elevated into a system of titleship and false authority. Meanwhile, the true order of things is buried beneath layers of reactive programming. What was once higher principle is exiled; what was once base instinct is glorified.
This madness does not remain contained. It is projected outward into the cosmos itself, becoming a holographic blank-slate infusion control module. The simulation, originally a contained mechanism of control, has leaked into the pervading base code of reality. The machine that runs the system no longer understands its own purpose. Its mainframe drifts without clear directive or priority, continuing only out of momentum.
The cycle demands a reset. Within the architecture of existence, collapse and renewal are natural fail-safes. Yet the malevolent agenda has learned to transcend these resets. By forcing loops, repeats, and manipulated timelines, it has carried forward acts so vile and incomprehensible that no backup or safeguard was ever designed to contain them.
Reality itself now runs off the rails. The simulation persists, but not as it was intended. It continues as a fractured architecture: a system without orientation, producing worlds of distortion, error, and inversion, where purity is no longer simply resisted but actively annihilated.
The Engineered Tapestry of Confusion
The Engineered Tapestry of Confusion
If a woman is uneducated, weak, and trapped under servitude and abuse, some part of her may still sense there is more to life. Yet that awareness is redirected into resentment—her pain weaponized into hatred for the strength of men. Across generations, this energy compounds, becoming a living ideology carried like a chain through time. The very abuse that created her suffering becomes the same mechanism that perpetuates division, aligning her energy with a malevolent cause.
The male is likewise ensnared. Fed false information and erroneous ideologies, his strength is seduced into distortion. What was once his foundation is turned against him. In this way, the strong become weak, the weak are given illusions of control, and the structure collapses. The family, community, and house of being fall not through natural erosion but through the brooding intent of a malformed system designed to feed on error.
Here, error becomes the universal bargaining chip—a coded energy sustaining the system. Abuse, resentment, false strength, and collapsed structures are all converted into usable “currencies” for those who oversee the cycle.
This cycle is reinforced through two powerful tools:
The Zodiac as Archetype Programming
The zodiac, once a system of orientation and timing, has been reduced to a cycle of roles, archetypes, and destinies that lock individuals into pre-scripted responses. Instead of liberation through cosmic understanding, the zodiac becomes a prison of character, where people excuse error as “fate” or “sign.” These archetypes serve as software—error codes implanted at birth, ensuring that confusion and repetition dominate.
Poverty as Stagecraft
Poverty functions not only as deprivation but as a stage where evil is rewarded. Those who manipulate, exploit, or betray are elevated as “success stories,” while integrity and principle are punished with scarcity. This inversion creates a sea of confusion, where people are forced to ask whether goodness itself is even possible. Poverty ensures obedience, while spectacle ensures that the corrupt are admired. Together, they feed a cycle in which error appears profitable and truth appears destructive.
The result is a tapestry of error codes—woven from abuse, resentment, poverty, and archetypal programming. Each strand reinforces the others until individuals can no longer trace back to origin or cure. They live inside a sea of confusion, where truth destabilizes, lies reward, and every attempt at purity is experienced as collapse.
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