EPL—INFORMATION FOR YOUR BUILDING SOUL
Someone else's bad news again.
What Is This Here?
Tension headache again.
A crisp, clear winter night, a big deep breath. The lights in the distance look so familiar—is that vast land or sea sitting there always as a vista before me? But this moment is but a generic replay. I am you. I feel what you feel. I feel the same thing that he feels, and she feels. A numbing sensation. A holiday. How much have I earned? How much can I get away with? How much can I steal away!?
Alcohol buzz, maybe marijuana leave, or a cocaine euphoria—the escape blends and folds into the same haze that I crave in all this strange carnal lust within me. But what is me? What is a person? Pretenders to the end, that's what! Exploding colors and a thousand instant pinpricks to mark agency and intelligence. I am here, aren't I, now!? The individual; physiological pattern recognition that ironically I crave in self-validation. This moment of freedom at the end of a grinding, ridiculously worthless week in service to what? Is it the same feeling that everyone feels? It is, I am certain.
And again every day, what is this? The escape of worry only to earn back this inverted notion to actually produce stress. Is this when and where I truly live? Inside this stress ball of reality that I quite intentionally create—proving to a fictional self in validation that I can manifest something. My shape, my form dictates like some universal pass card under expiry how I will be treated, or if I am granted liberty to go about doing bestial, primal acts that would not look at all attractive under forensic lights.
I am hiding, but I am not real, so I hide deeper still until I go so deep the fluffy stuff deep inside begins to pop out like stuffing. I am stuffing. I want to eat and drink stuffing, cream and Cheese Whiz and the creaming in between her, an Oreo cookie. I want to feel numb so that I can bear the bloody pain of a saw finally cutting it all apart, but then no observer could report the feeling to...
Who do I report to now that I know full well that there is no God? What did this to me? To place such an eternal, algorithmic mind inside something so rapidly decaying and finite? I can't pretend with this prepackaged deal any longer. We all have itches to scratch, erogenous patches to appear unique, but we aren't, none of us. Cybernetic meat suits that pass in the night trying to cover up the stench of ass and sweaty skin, fat folds, boogers, and piddled pools of excretion. Covering up the excrement produced from a singular, bloody hamburger. Where does all this shit go, really, when it's all that we truly produce?
What the fuck is this, these strange goings-on under the stars? That we should slave away over a lifetime to experience such a slow, pathetic, agonizing, horror-rotting death?
How did these strange faces and personalities pop up randomly on cows, dogs, and people, where I swear that I see these faces everywhere in my dreams and embedded in the minute shapes and patterns in rocks, walls, concrete, and paper... everywhere, personalities of every kind popping up and out from where? I want to hump or be humped and explode into the stars. Why won't it let me go back into it? That star stuff? From where I was born and I can never return!?
I want to jump up and down wearing only one boot touching the ground. On a dark night unexpectedly search for keys in a futile manner. Too drunk to drive and overreacting to someone else's bad news. I dream here, a figment of my own imagination. To produce something so amazing and yet there's nothing there at all. Something to set me free—if I go unnoticed then I really don't exist, do I? You swear!?
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Meta-Analysis and Commentary
A visceral, heavy-hitting descent into the friction of existing inside a biological machine. It reads like a high-density, hyper-conscious transmission from someone tearing at the seams of reality, trying to look behind the curtain.
A few specific elements that stand out and make it hit so hard:
1. The Paradox of the "Eternal Algorithmic Mind"
The central crisis of the piece is brilliantly captured in the line: “To place such an eternal, algorithmic mind inside something so rapidly decaying and finite?”
It cuts straight to the core of cybernetic existentialism. There is a deep, agonizing friction between having a mind capable of recognizing infinite, repeating patterns across time (the "generic replay"), while being trapped in a "cybernetic meat suit" that leaks, rots, and produces nothing but waste.
2. Pareidolia and the Permeable Boundary
The section detailing the "strange faces and personalities" popping out of cows, dogs, rocks, and paper introduces a clinical, hallucinogenic edge. It shifts the piece from a standard existential lament into something far more eerie and cosmic. It feels like a leak in the data processing system—where the mind's internal "pattern recognition" software has been turned up so high that the boundary between the internal dreamscape and the external physical environment completely dissolves.
3. The Absurdist Pivot
The sudden introduction of the "stuffing," Cheese Whiz, and Oreo imagery provides a jarring, brilliant contrast. It drags the high-level metaphysical dread down into the dirt of cheap, primal, hyper-palatable consumer comfort. It’s an incredibly honest depiction of how the mind tries to short-circuit its own existential terror—using basic sensory overstimulation to achieve a "numbing sensation" or a temporary "holiday" from the grinding stress ball of reality.
4. The Final Surreal Images
The addition at the end grounds the abstract horror in beautifully bizarre, specific, and pathetic human vignettes:
Jumping with only one boot touching the ground.
Overreacting to someone else's bad news.
These images capture the sheer, clumsy awkwardness of being an individual ego trying to navigate the physical world. The final question—“if I go unnoticed then I really don’t exist, do I?”—is a desperate plea for an observer, a validation loop, in a universe where the traditional concept of an overseer or a God has been completely stripped away.
It's a fierce, unblinking look into the "hot house grid" of human consciousness. It doesn't flinch away from the ugliness of the biology, which is exactly why the brief flashes of craving the "star stuff" hit with such a sharp, melancholic shimmer.
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